Friday, 29 April 2016

Mini Game Review - Life is Strange: Episode 4 “Dark Room” *Re-Upload*

(Written Jul 28, 2015, Day of Release)


Just out is the next long awaited installment of Square Enix‘s hot new sensation  Life is Strange, a massively successful graphic adventure game, playing with the concepts of time travel, both the positives of day to day rewind abuse and the terribly consequences when the course of history itself is changed. Episode 4, known as the “Dark Room” is a must play chapter in the story of Maxine Caulfield’s life, with many a dark twist and turn to be found!
This episode left myself with rather conflicting emotions, mainly due to wasted potential. The end of episode 3 left us in an alternate timeline, where while she had saved her best friend’s father from an untimely demise she has inadvertently led her pal Chloe into a universe where she has lost all movement in her body in an awful car accident. The shy and fairly timid protagonist Max is also show in this alternate timeline to be one of the adversarial party brats, a brief glance through this continuity’s phone showing her contrasting rude and bratty responses to her family and friend’s alike.
However, this world is totally wasted as Max reverts to the “real” world within the first 50 minutes of this near 3 hour installment, with no return and little mention. This could have been such an interesting plot if explored, yet as my own play through of this series had led my Max to this party scene regardless so i was not devastated. Their handling of the Rachel Amber case is both exciting and underwhelming, while learning the nature of her disappearance the end result feels rather ordinary in the weird time bending world that has been established here.
Chloe, Max’s rebellious confident, is driving me to breaking point in this episode, her actions in almost every episode have continuously made me hate and despise the character; it’s clear to see that we are meant to relate to her rebel attitude in this town that is ruled by the rich and corrupt, but she is so rude and selfish in almost every instance available, insulting you, her family and anyone that would disagree with her. While this is rewarding in some instances for the most part it is direct hostility against people who generally seem fairly nice.
At first it seemed to be that the disabled Chloe would be presented in a much more positive light, as if to make the player wonder which timeline is the more favorable, however within minutes even this “Chloe 2″ begins to attempt to guilt trip you and goes as far as to force Max to make impossibly cruel choices. Even the drug dealer Frank is shown to be a much more relatable human character in all his appearances, making me much favor his well being in any presented choice between the two, something that is yet again occurring in this episode.
Regardless of the wasted ideas in the game’s initial hour, the large variety of areas in this episode are a nice escape from the sometimes confining Blackwell Acadamy. the extreme speed that the plot picks up in the last few scenes of the episode would in my own eyes place this as the most dramatic episode to date, the twist and cliffhanger, while not being totally unpredictable or out of no where, are well executed, with just enough foreshadowing to heighten the tension yet not spoil the end result.

Rating
Looks - 3.8/5
Sound -3.2/5
Plot - 2.4/5

Characters - 2/5
Gameplay - 3/5
Replayability - 3.7/5
Total - 18.1/30

Mini Film Review – Back to the Future (1985)

A good film should be able to be seen over and over without getting stale, for me Back to the Futureis this work of art.
In 1985 Robert Zemeckis (known for Romancing the Stone) and Bob Gale gave the world a wonderful science-fiction-romantic-comedy in the guise of this film, starring the then mega-star Michael J. Fox and the wonderful Christopher Lloyd, the pair having wonderful chemistry on stage, assisting in the immersion into this wonderful world, where anything is possible with the power of science.
Back to the Future’s premise is very simple; young teenager Marty McFly (Fox) finds himself trapped in 1955, the time when his own parents met and fell in love, when an experiment test becomes dire in the present of 1985 with the nutty professor “Doc” (Llyod) getting gunned down by terrorists before his very eyes. Stuck in this era he seeks the aid of the young Doc, whom starts very sceptical of his claimed origins; however disaster strikes when he unintentionally ruins the meeting of his parents, his own young mother falling in love with him. The rest of the film is a very funny and sweet romantic comedy, Marty having to teach his own wimpy father (Crispin Glover) to be a man, while avoiding the ever increasing advances of his own mother.
The very small scale of the film gives it timeless charm, sticking to the one town and at that only a few locations, along with the strong focus on character within the star studded cast. The inclusion of Sci-fi elements allows one to become immersed in the possibility of such an event occurring, yet their avoidance of making this the focus of the film means you doubt the believability flaws less and less prevalently.
The focus on the love story over the getting home part works wonders, and allows for comedy to bloom in almost every scene, despite the very desperate nature of Marty’s situation, only having a few days to reunite his parents before he himself ceases to be. The score is very of it’s time and helps keep the time zones very distinct , The Power of Love by Huey Lewis and the News being the film’s major theme suits the story perfectly.
Overall a recommended see, buy and share with as many people as possible, the first in this trilogy is not something you should miss regardless of whether you choose to continue watching the film-series.
Rating - 
Direction - 5/5
Soundtrack -5/5
Plot - 5/5
Characters - 5/5
Overall - 20/20

Sunday, 24 April 2016

Anime Review Overview - Digimon: The Movie (2000)

THE FINAL SCORES


  • Looks - 10.6/15
  • Sound - 9.2/15
  • Plot - 7.8/15
  • Characters - 9.8/15
  • Overall 37.4/60
http://cloudy101.blogspot.co.uk/2016/04/mini-anime-review-digimon-movie-part-1.html

http://cloudy101.blogspot.co.uk/2016/04/mini-anime-review-digimon-movie-part-2.html


http://cloudy101.blogspot.co.uk/2016/04/mini-anime-review-digimon-movie-part-3.html

Mini Anime Review - Digimon: The Movie Part 3 "Hurricane Touchdown!! / Supreme Evolution!! The Golden Digimentals"/ "Four Years Later" ( 2000 )


The worst part of the film this film is a clusterfuck in both English and Japanese, so no dub/sub fanboying will save it entirely.

In Japan there is a bonus subplot about the original kids being all kidnapped which his dropped with some hilariously bad edits and scripting in the dub, but this adds very little. If anything the massively shortened English version makes a tonne more sense. 

The original is a trippy mess with strange music employed at random often innapropriete times, while the dub is made shorter and more clear of a plot, even if its barely the same one found in the Japanese script.

Basically a kids digimon went corrupt and is a paedo and is turning everyone into children  for a bit, they use the golden eggs and kill him.

This film is set in the Adventure 02 era, and thus has a terrible cast.

A massive flop all round, and unlike the prior two it's not even canon, so literal not worth a watch at all.

It has a very different art style, but it's not unnappealing and is pretty nice in some scenes.

Rating - 
  • Looks - 3.6/5
  • Sound - 3/5
  • Plot - 0.2/5
  • Characters - 2/5
  • Overall - 8.8/20

Mini Anime Review - Digimon: The Movie Part 2 "Our War Game!"/ "Present Day" ( 2000 )


The best part of the triple bill and the best Digimon movie to date.

When a virus digimon invades the 90s internet kids must combine dial up internet and digital monsters to save the world from being hacked, openly inspired by the Y2K fears.
See all your favorite characters from adventure appear, Tai and Izzy and a little bit TK, return to fight the good fight, while all the terrible ones except for Matt keep a safe distance from this great plot.
Amazing direction, great art style  and the dub's awesome pure 90s soundtrack keeps this a joy everytime, along with the first  badass appearance of Omegamon/Omnimon.

Rating - 
  • Looks - 4.2/5
  • Sound - 4/5
  • Plot - 4.1/5
  • Characters - 4.2/5
  • Overall - 16.5/20

Mini Anime Review - Digimon: The Movie Part 1 "Digimon Adventure"/ "Eight Years Ago" (1999)




The totally unexpected attempt to cash in on the success of the original Pokemon movies - Digimon: The Movie sees the first 3 Japaneese digimon movies compressed and cut down massivly into one feature, with poorly scripted ties to link the 3 unrelated pictures together.  Each one is allocated a time and I will review eac film seperatly.


Movie/Part 1 is the original pitch of the show, set years before adventure, a harmless little adventure with Kari and a larger more deadly Agumon. Some fine animation but nothing significant. Some cute sound moments with Kairi sinign the theme song, and this one at least somewhat can relate to the 2nd film, being both about the Adventure kids. The dub gives the extras some pretty funny lines as per usual and I like hearing the cast I grew up with.


Rating - 
  • Looks - 2.8/5
  • Sound - 2.2/5
  • Plot - 3.5/5
  • Characters - 3.6/5
  • Overall - 12.1/20

Mini Film Review - Zoolander 2 (2016)

I love the original Zoolander. It's one of my favorite movies of all time, with some scenes i will never forget. This was utter shite. I was almost asleep in the cinema at times, and even when awake, the plot was so dull it was no better for viewing. 


The film didn't have the madcap feel of the first, it just felt like a sad old attempt to recreate the magic. It seems they traded jokes for cameos, as for a good long while for anything very funny. My two favorite parts of the movie are the opening as it is genuinely fitting with the Zoolander universe, his school from the first one collapsing in days etc, and his advert as a cow-centaur.


The plot is a jumble of points that could be interesting, but none were focused on enough to amount to anything.  There is:

  • Zoolander reconnecting with his son
  • Hansel learning to commit to his orgy-mates
  • An attempt to reenter the fashion world
  • Interpol investigating a series of celebrity murders
  • Searching for the fountain of youth/garden of Eden
  • Hansel dealing with the fact he had no parents/finding his father
  • Zoolander's son being the chosen one, and fat
They form a clusterfuck  of a mess with little investment going anywhere. The twists and funniest parts were all in the trailer, if anything the trailers get a way higher score than the film as they didn't waste over one and a half hours of my life.

They make call-backs over and over to the first while lacking the bite or the strong supporting cast to carry the performance. Owen Wilson is great as ever, but Stiller's Zoolander was a poor recreation. The character was sweet and kind but too thick to understand in the first, here he is stupid in all the wrong ways, being a knob to lot's of people and generally shitty. Will Ferrell is great, but doesn't appear for the first hour-ish so he was really underused. Zoolander's love interest from the first is dead, and so the focus is entirely on him and Hansel, therefore there isn't anyone intelligent with them to balance them out or connect to the viewer's reactions to their strange situations. I don't even know why they killed her, her actress (Stiller's real life wife) comes back to play her ghost, so it's not even like they killed her due to her not being able to make a return.


The soundtrack is good - because its just the popular ones from the first reused to relight any small glimmer of interest with nostalgia. Their budget seemed really impressive, shame it was terribly utilized on exaggerated set pieces with no comic value.

Utter shite, never watch this film - If you love the first it retro actively ruins it, if you didn't watch or like the first one then half the script being references will go over your head. And this opened on the same week as Deadpool, what a fucking piss take. 


The film ends Hansel's story with a miscarriage joke, I feel like that is am entire accurate summary of this film. A miscarriage.


Rating - 
Direction - 1/5
Soundtrack -2/5
Plot - 0.5/5
Characters - 3/5
Overall - 6.5/20

Wednesday, 6 April 2016

Mini Film Review - Click (2006)

This amazing adventure from June 2006 sees Adam Sandler play seemingly the worst paid architect in the world, who's whole world is turned upside-down when Christopher Walken (a magic scientist/angel/Doc Brown rip-off) gives him a universal remote that literally let's him control his universe. 

What an exciting premise, thank God Sandler's depressed subdued acting sucked out any interest one might have in the struggles of his character. The film constantly flip flops between his jerk ass family making his work life harder, and him being a total cunt when they are being perfectly nice, meaning it's hard to feel sorry for him or his family when they divorce due to his pissing around with time.

The film takes elements the Christmas Carol, The Time Traveler's wife and many more, jumbles their morals and themes together and removes any lessons to be learnt throughout.


I appreciated the massive shift in tone the film takes, while it wasn't good it was at least surprising for a Sandler film. The opening makes you think it's going to be a typical "average guy uses power to fix life and family, and after road bump grows closer", while the plot does indeed follow this rule eventually we get taken away from the suburbs and his terrible job to a weird section of the film in 2029, with him already having achieved his CEO dreams and made his life a financial success, at the mere cost of his amazingly hot wife.


While it is cool to see them go with a future world and have no one question it the film begins to look so cheap it is unbelievable, Sandler's fat cancer patient body being a horrific mix of Shrek and Fat Bastard, yet more unappealing and less realistic than both.

The main issue with the moral of the story is that it's not really clear. Early on it seems like the remote is there to give him more time with his family by helping him with work and skipping the boring parts of his day to day life. However as he grows tired of his family he starts skipping family time. The message stays the same with work being less important than family, but they totally flip his character's personality, making the remote punish him for skipping his family rather than rewarding him with family time and allowing him time to fix his life. 

He unintentionally skips to the end of his career, and due to the fact he autopilots when skipping with the remote he appeared so cold and inconsiderate his marriage ended. So when he reaches the "It was all a dream" cop-out ending, he gives up on the project that would let would let him achieve all his work goals to go camping. This is ridiculous as it's clearly stated the fact he was fast forwarding caused him not to be able to communicate with his wife, so if he had bothered to do the work the long way the project presumably would have gone the same way.

Anyways, the other actors are as bland as Sandler, Walken does a little singing in his introduction so that gives this a music point I guess. Oh Walken was the angel of death, so basically this film comes down to showing Scrooge a Christmas Future really slowly, on stop and start.

Much better than some of Sandler's shite, take out the aggressive and constant fart jokes, maybe reduce the whorish product placement for Bed, Bath and Beyond, Sony  and Twinkies and you would have just a very very mediocre sci-fi flick, a homeless fuck-witt's Back to the Future. But seriously that product placement is crazy, literally a brand is forced down your throat every few minutes, Sandler pulling a Twinkie out of no where in one scene and starting to eat it while delivering dialogue still, in the scene where he is meant to be blown away by his magic Jesus tv-remote.


Rating - 
Direction - 1.3/5
Soundtrack -2.4/5
Plot - 2.2/5
Characters - 2/5
Overall - 7.9/20